| Asking Favors From Good Friends
With everything I’ve written in mind, I realized that sotol/agave ensambles are almost non-existent in today’s market. Or at least they are not labeled as such. To my point, based on what I’ve seen in Durango, I’d claim that most Cenizos we drink from that state have at least a tiny percentage of sotol in them. So naturally, I thought of Sergio Garnier, the one person I know who is based in Durango and has access to both agaves and sotoles. If you’ve been a club member for while, you may recognize his name because the first Lamparillo to ever hit the United States, through our club, was commissioned by him and produced by Gilberto Roldan (“Lamparillo, it makes you magically erotic”, are some wise words by this gentleman that will be with us for perpetuity, ha)
Since then, Sergio has doubled down on his mezcal-making project. He built a brand-new distillery on his ranch in the middle of the Mapimí desert (designed by yours truly) and has been producing mezcal for well over a year. When he had just finished construction, he asked me if I wanted to be there for the first batch, both to celebrate and to catch any potential design flaws. So I spent a few days at the vinata, tasting lamparillo ordinarios, puntas, corazones, and looking at the desert for hours. I don’t recall the exact details, but by the end of the trip, it was very obvious to us that we needed to do that agave/sotol ensamble to better describe the desert and its flavors. A way to show that the desert is a complex and rich ecosystem if managed with care and respect. In a nutshell, we wanted to know what biodiversity would taste like when distilled.
Some Last Thoughts
Finally, Sergio went ahead and produced a few liters of this sotol/lamparillo ensamble, which was technically challenging to say the least. But eventually, he solved these puzzles and sent us a sample we immediately loved.
We are proud of this release because we think that beyond being delicious it helps present a larger picture of why artisanal products matter. We know monocultures are needed in our current world. And we acknowledge their immediate value for survival, but we despise this agricultural approach when it comes to creating complex flavors and aromas.
Artisanal mezcal depends on diversity: the plant’s genetics, the many yeasts and bacteria, the tools and materials used to make them, the water’s profile, and even the different cultures that interpret this drink according to their cosmovision. So, as a conclusion, and I apologize for the strong language: f**k monoculture, and let’s aim for a more biodiverse, delicious future.
Cheers guys! |